“Reporting a Stain”, in Exclamat!on journal, volume 3, Exeter University, June 2019.
“Fathers”, in Smiths magazine, Goldsmiths College, 2016.
“Councilled: Memory in Green” in We Will Be Free anthology, 2018, by Culture Matters and Unite. Available at https://www.amazon.co.uk/We-Will-Be-Free-Anthology/dp/1912710064
“(The Refusal) To Work Forever” essay in Review 31, October 2019. http://review31.co.uk/essay/view/76/the-refusal-to-work-forever
“Is Pride Enough?” essay in Undercurrent Philosophy, November 2017. http://undercurrentphilosophy.com/medium/is-pride-enough-a-critical-account/
“Atomise the Atom” article in Undercurrent Philosophy, November 2016. http://undercurrentphilosophy.com/short/atomise-the-atom/
“Three poems, by A. K. Blakemore, translated by Elliot C. Mason”, De Sur a Sur magazine, Year 3, Number 8, June 2019. (pages 32-37)
“Landscape for a Dead Woman / Paisaje para una Mujer Muerta, by Rachael Allen, translated by Elliot C. Mason”, De Sur a Sur magazine, Year 3, Number 9, October 2019. (pages 59-66)
Curator and writer. “Island Biography”, Migration Museum, London, May 2018.
Copywriter and workshop facilitator. “Is Your Life Real?”, Freud Museum, London, March 2018.
Reviews of me –
Everything Theatre – Everything Today is the Same (4 stars)
Medium.com – Everything Today is the Same (3.5 stars)
Fairy Powered Productions – Everything Today is the Same
Spy in the Stalls – Everything Today is the Same (3 stars)
London Pub Theatres – Everything Today is the Same (3 stars)
Essential Surrey and SW London – She Arrives https://www.essentialsurrey.co.uk/theatre-arts/review-she-arrives-at-the-bread-roses-clapham/?fbclid=IwAR01h1vaPPXZ-zTzcS-4fqUQxs-BmOjLXY12HNDax5DzJNv9dIGmQT_CRww
Reviews by me –
Academic talks –
“To Be Human, To Be I: The Violence of Whiteness in Contemporary Poetry”, at EARN conference, Leeds University, 7-8 November 2019.
“To Be Human, To Be I: The Violence of Whiteness in Contemporary Poetry”, at the International Poetry Conference, ‘Between Creation and Interpretation’, London Centre for Interdisciplinary Research. At Birkbeck College, University of London, 21 September 2019.
“The White City of Poetry is Ready for Blinding Ink”, at the Annual Goldsmiths Literature Society conference, 5 June 2019.
“Queering Grammar’s Body, or, Pussy Riot and the Queerest of the Queer”, at GLITS seminars, Goldsmiths College, University of London, November 2018.
“Mark Fisher and Anticapitalism”, at the London Action Resource Centre, November 2018.
Plays and performances –
“Everything Today is the Same”, Chapel Playhouse, King’s Cross, August 2019.
“Everything Today is the Same”, The Drayton Arms, Kensington, June 2019.
“Everything Today is the Same”, political comedy, written by Elliot C. Mason, Katzpace Theatre, London Bridge, May 2019.
“The Charitable Ministry of the Second Look”, short comedy, written and directed by Elliot C. Mason, You’re Hysterical performance event, November 2018.
“She Arrives”, Bread & Roses Theatre, Clapham, September 2018.
“She Arrives”, The Hen & Chickens Theatre, Highbury & Islington, August 2018.
“She Arrives”, one-woman play, written and directed by Elliot C. Mason, Katzpace Theatre, London Bridge, May 2018.
“For All That Matters”, short play, written and directed by Elliot C. Mason, The Vintage Emporium, Shoreditch, November 2013.
“Fame Fatale”, short play written by Elliot C. Mason, Genesis Cinema, Whitechapel, October 2013.
Bart Moore-Gilbert Post-Colonial Essay Prize 2018, winner. “Perverts of Pressure in a Non-Place” essay on Jamaica Kincaid.
University of Bolton Poetry Competition 2018, winner. “Shaving in a Cold Barn”.
Poetry Kit Spring Competition 2018, highly commended. “If I Had Pages Just to Write On”.
Buzzwords Poetry Competition 2016, highly commended. “Romance on Soft Furniture”.